On Saturday my local HEMA group, Tempered Mettle Historical Fencing, had a guest instructor come to teach a one-day class aimed at “underrepresented groups.” The guest instructor was Kaethe Dundon, “a Chicago-based queer nerd whose major interests are in history, art, and textiles, and of course historical martial arts.” The class was pitched thus:
The primary audience of this workshop includes women, those of other marginalized genders, and those with physical disabilities. Those who are male and able-bodied are welcome to attend – but be aware that your experience will not be the focus of this class, and be ready to primarily take the “losing” role in reps.
I was down with that, so I went. It was a great workshop. A lot of the focus was on stance and footwork, which are two things you can never do too much of.
One member was taking pictures. Trying to be less of a distraction, he switched his camera to “silent,” which turned out to have an odd interaction with the LED lighting in our training space:
I think the photo turned out great!
The posture with the sword across our shoulders was intended to get us to open our chest, so our arms and shoulders would be where they were supposed to be for longsword.