I need to improve my drawing

I need to improve my drawing skills enough to draw a recognizable raccoon and opossum. I will then do a series of comics in which brave opossums hold off the raccoon threat, with the help of an occasional hedgehog, sloth, and slug.

Edited to add: And a box turtle. Box turtles are also on the side of right and good.

Inktobering

I’ve been doing a pen-and-ink drawing each day this month for #inktober. I’ve been sharing them on Twitter, but obviously I should be sharing them here on my site as well.

So, here’s a gallery with my #inktober drawings, I’ll try to keep the gallery updated as the month of #inktober proceeds.

In the Conservatory on a gray day in January

I’d been feeling somewhat glum these past two days, so I decided to take steps. Specifically, I paid a visit to the Conservatory at the Plant Sciences Laboratory at the University of Illinois.

It’s a nice space to visit on a winter day. It’s warm. It’s humid. It’s full of plants.

I’d been meaning to go since before Christmas, but the University’s closure over the holidays made it seem simpler to just wait, and then my glumness made it seem suddenly rather urgent, so today I just dropped everything to go for a short visit.

Longer term, I want to return for a more deliberate visit. I want to return on a sunny day, and see what some bright sunshine does to the space. I want to bring art supplies and spend some time drawing, rather than merely taking a few quick snaps the way I did today.

But today, this is what I had time for, and I think it has been of some help.

I think the Conservatory, like an art museum, will reward repeated visits.

In the meantime, enjoy these pictures and imagine that you’re someplace warm and humid and filled with tropical plants.

NASA (space) travel posters!

I’m both a huge fan of poster art and a huge geek about travel to fantasy locations, so I’m doubly entertained by this batch of posters from the fun-loving artists at NASA advertising a bunch of possible travel locations in our solar system and beyond, available in resolutions high enough for printing at poster size:

Source: Visions of the Future

Image courtesy NASA/JPL-Caltech.

Making a note here: Huge Success

What a wonderful party! (“I’m making a note here: Huge success. It’s hard to overstate my satisfaction.”)

elephants
That’s Wellington on the right and Alexander the Grape on the left.

Thanks to all the folks who braved the elephants to attend! (Here’s a picture of a couple of the elephants that people had to brave.)

Jackie and I had never thrown a party together (if you don’t count our wedding reception, which was really thrown by Jackie’s mom on our behalf). Our apartment at Country Fair was too small and too cluttered for us to want to show it off. I did have a similar sort of open house party at my house in Philo when I bought it, before I met Jackie, and it was a pretty good party, but not as good as this one (because I didn’t really know anyone to invite except coworkers).

We had a great turn out. There were a bunch of taiji folks, both from the class that I attend and the class I teach, and there were a bunch of former coworkers, and a bunch of Jackie’s spinning and weaving guild members, as well representatives of the local speculative fiction writing and Esperantist communities. We had a lot of spouses and kids as well, so it was a very interesting group.

Everybody commented on how open and light our new place is, and how well it suits us. (It seems that anybody who’s lived in Champaign-Urbana for more than a few years knows somebody who lived in Winfield Village. I was initially surprised by this, but it’s so universally true, I’ve almost come to expect it.)

There was a great deal of interest in Jackie’s loom (something that you don’t see in just every house) and her spinning wheel and the yarn and woven items displayed all over the house. We don’t have much of our art hung yet, but the few pieces we have up all drew favorable comments.

I didn’t get to talk to anybody as much as I’d have liked, and barely managed to talk at all with a few people. I think future parties will be a bit smaller, so there’s more time to spend with each guest. (Sorry if I neglected you! Send me some email! Let’s do lunch!)

Pre-party preparations were a big deal of course, involving as they did unpacking all our worldly possessions and finding places for everything. Happily, post-party cleanup was almost trivial. (Because we just served snacks and deserts and not a real meal, and because we didn’t invite any undergrads.) We were mostly done cleaning up before the first Superbowl ad.

Now we have way too many deserts left over. Too much wine as well, but the wine will keep until we’re ready.

Home stretch of the zeroth draft

Progress on the novel continues apace.

In particular, I’ve reached the point where the action in the novel lines up with action in the failed short story that the novel draws from.

The short story failed because I simply couldn’t cram in all the setup needed, a problem easily solved in novel form—the setup occurs naturally in the body of the novel. As I wrote, I kept in mind the various bits that I needed to set up, and have been making sure to cover them as I went along.

With that done, I’d imagined I’d just about be able to copy whole scenes from the short story into the novel manuscript. Except, that turns out not to work. I tried it this morning, growing my story by about 1600 words, only a couple hundred of which were newly written prose.

Part of what’s in these scenes are the failed attempts to provide the setup. Since that setup is now provided (in full scenes of their own, earlier in the manuscript), I need to remove those attempts from these later scenes.

That turns out to be harder than I’d expected. The text I’m working on is near-final draft stuff. I had previously polished every paragraph, every sentence. Everything is all hooked together as smoothly as I could mange. Some things can be removed by just deleting a paragraph, but other things require a complete re-writing. Plus, a lot of things shouldn’t be removed entirely. Rather, the failed attempts to set something up should be replaced with a little call-back to the setup—a little memory-jogger that reminds the reader of what happened many pages ago, so that when it becomes significant, they say, “Oh, yeah. I remember that.”

The upshot is that I have another six thousand words or so ready to go in—but I now see that adding those words will be as hard as writing them would have been. Maybe harder.

After adding three scenes by copying and editing, I’m now thinking that it might be better to just write fresh scenes. (In fact, thinking about the amount of editing that remains to be done on the scenes I added this morning, that’s really starting to seem like a good idea. I’ll try it that way tomorrow.)

As I’ve been writing, Jackie has been working in her media—spinning and weaving mostly. She wove two silk scarves in the past weeks, and spend much of the past couple of days winding a warp for her next weaving project.

Here’s Jackie with the warp, chained up for storage or transportation, but ready to be threaded onto the loom:

jackie wound a warp

Boring post: Fiddling around with my website

I started having odd troubles with the theme I’d been using for this website, so I thought I’d look into alternatives.

I tried quite a few, most of which had one problem or another. Among the things that made me reject themes today:

  1. Header image was completely integrated into the design, so it couldn’t be changed.
  2. There was no way to show the full text of each post on the front page.
  3. Post titles were forced to all-uppercase.
  4. A full third of the page was dedicated to showing a featured image for each post, except my posts often don’t have a featured image—in which case the theme showed a dumb icon instead.

This theme isn’t perfect either. In particular, when I use an image in a post and mark it as the featured image, it appears twice, which is usually not what I mean to have happen, but I’ll experiment for a bit and see how I like it.

Intended as a placeholder, the header image is a photo I took of plaster casts made of the Elgin Marbles. (The casts, on display at the Spurlock Museum, were made before the ill-fated cleaning attempt that so seriously damaged the originals. Scholars come from far and wide to study our plaster casts.) Now that it’s up there, I kinda like it. I may just leave it like that.