I don’t really think of myself as a poet—the menu on my site, which includes categories for my fiction and my nonfiction, doesn’t even have a category for poetry. However, for many years now, I’ve been writing haiku in Esperanto.

It started specifically because of Esperanto. As a beginner with the language, I wanted something tractable. A haiku was small enough that, even if I had to look up every other word, I could put it together and keep it in my head long enough to compose and finish something.

It was also a shared activity with my brother, who was learning Esperanto as well, and similarly found haiku to be appropriately sized. Our haiku were often rather silly observations on the quotidian details of workaday life, and even more often shared jokes—puns based on elaborated misunderstandings of one another’s haiku, and the like.

A few years ago, Steve started taking his haiku more seriously. He read about the Japanese tradition of haiku. He started focusing on writing better haiku. He wrote a lot, and he shared them with other people who cared about haiku. He didn’t quit writing funny, trivial haiku, but he wrote more serious haiku. Haiku that tried to capture something universal through a keenly observed moment. Haiku that used the tools of the Japanese tradition to express something.

I found myself rather left behind. He encouraged me to make a similar study—he even lent me some books—but I didn’t find myself moved to deepen my understanding of haiku.

A few things happened since then. One was simply being more and more impressed with Steve’s haiku—feeling ever more keenly how left behind I was. Another was the publication, by a Japanese Esperantist we met on-line, of a book Kiel verki hajkojn en Esperanto (How to write haiku in Esperanto), which condensed a lot of the stuff Steve had been talking about and applied it specifically to Esperanto. Most recently, a local haiku poet (who also happens to be past president of the Haiku Society of America, former editor of Modern Haiku magazine, and current editor of the Modern Haiku Press) started a haiku study group that meets at the Champaign Public Library.

Participating in the study group, I took one of those little leaps that anyone who works in a creative endeavor takes from time to time. My haiku are perceptibly better.

And so I now have a published haiku. The same Lee Gurga who leads the study group also edits a weekly haiku feature in the News-Gazette, the local paper. He selected one of my haiku for today’s column. He elided the Esperanto original, so I thought I’d share that here:

Glataj folioj.
Senresta en mallumo…
kota genuo

Oh, and I should mention, this isn’t my first ever published haiku. One of my haiku was used as an example in Kiel verki hajkojn en Esperanto. Oh, and I’ve three times traded my haiku for earrings at the Haiku Earring Parties at WisCon.

Mike Tierney of the Navigating Your Money podcast interviewed me last week and has already put the show up. Listen to me natter on about frugal living here:

Episode #19: Live Like You Have More, On Less

I haven’t actually listened to it. I find the idea of doing so fills me with dread. (I’ve heard other people say similar things, but am a little surprised to find myself so strongly affected.)

Wise Bread’s Will Chen has assured me that I sound reasonably articulate:

I especially like the part where you explained that a budget is not a limit but rather a tool for showing you what you CAN have. The part about sharing tools is also a really awesome part. You did great, but the host is also really good. He clearly has read through your material and gets your philosophy.

So there you have it. If you’re interested in what I’ve been saying, but you want to hear it in my voice rather than reading it on the screen, here’s your chance.

My Wise Bread post Have Style, not a Lifestyle picked up a mention on the blog Soldierette as one of 5 Unmissable Personal Style Tips.

I spent a few minutes poking around the site. There’s a lot to like there. The fitness stuff in particular caught my eye. (I’m always trying to balance staying motivated enough to get my exercise with avoiding injuring myself by training too much or too hard. I find fitness-related writing helps with both aspects of that.)

I’m going to be interviewed on Rudy Maxa’s World (America’s Travel Radio Show) tomorrow (Saturday, May 19th). I’ll be on at 11:43 Eastern time for five minutes.

If you want to hear me talk, you can:

They want me to talk about my Why I Hate Points Wise Bread post.

I’ve been interviewed before, but usually either by a reporter who’s gathering info for a story, or else by email where I can compose my replies. This’ll be my first live interview.

Paul Cornell had some very kind words for “Watch Bees” in his Favourite Fiction of 2011 post:

Again, what becomes of America in the near future, where genetic engineering is available for farmers, but social order not so much.  It’s not about the deadly bees that guard property from anyone whose biology they don’t recognise, or the desperate ways to get around that, it’s about how the world got here.

I can only be delighted to find myself mentioned among such company as Neal Stephenson, Carol Emshwiller, Kij Johnson, John Kessel. . . .

“Watch Bees” was in the August, 2011 issue of Asimov’s Science Fiction.

In her “picks for the best of 2011′s short fiction,” Lois Tilton had kind mentions for two stories that appeared in Redstone Science Fiction, including one of mine:

Two good ones were “Like a Hawk in Its Gyre” by Philip Brewer and “Evoë! Evoë!” by Robert Pritchard.

She had previously reviewed the story, and the story itself is still available to read for free online at Redstone: Like a Hawk in its Gyre.