On Oliver Sacks: his writing process, how he used notebooks, and his views on creativity. Via Field Notes.
Where making is driven by association and memory, birthing “needs ‘incubation’” and is marked by intuition. But before we hasten to assume that he valued the latter type of creative work more highly than the former, he lists Darwin as an example of a writer who makes and Rilke as one who births, which strongly suggests that he saw the two not as a hierarchy but as distinct, complementary forms of creative work — Darwin was, after all, one of Dr. Sacks’s great heroes.
I’m late to the Maker movement. Being very much not handy, I’ve always avoided making things. It’s part of the reason that both writing and software have always appealed to me—you don’t have to actually make anything.
Gradually, though, I’ve been coming around.
For one thing, I’ve come to appreciate two ideas: Getting help, and starting by learning the narrowest possible skill set (which can then be expanded if you enjoy the activity).
For example, a couple of years ago, I wove a scarf. I say I wove it, and that’s technically true: I did all the weaving. However, I had quite a bit of help with the other parts. In particular, Jackie wound the warp and put it on the loom. (I came up with the design myself, based on some scarves that we saw for sale that were surprisingly inexpensive for handwoven. The key to the modest price was that they used fuzzy yarn set very wide—about 4 threads per inch. That meant that it both used less yarn and took less time.)
If I’d had to wind my own warp and put it on the loom myself, I doubt if I’d have made it. I’d have had to learn three new skills, and I’d have had to execute all three without making any unrecoverable errors. Instead I got gentle introductions to two of those skills, and actually learned the third. And I made a scarf.
The Maker Fair was great. There’s all kinds of cool stuff going on in Champaign-Urbana. We had great fun talking with Jonathan Manton who was making paper polyhedrons using Inkscape images of the flat shapes of the faces, software he’d written that added tabs and slots, and then a digitally controlled paper cutter to cut out the shapes. He called the whole thing the Large Hedron Collider.
One of the most interesting things that I hadn’t been aware of is the FabLab, a community facility sponsored by the University (and many other organizations) that has various fabrication devices—computer-controlled cutters, routers, engravers—available for use by members of the community. We’re definitely going to spend some time there.
Lots of other cool stuff: model rockets, zines, art, music, etc. I’m going to have to get more involved with all this. In particular, I’m planning to start going on Thursday evenings to get involved with the meshing networks project.